HU Repository

HU Repository serves as an academic and research repository, offering a rich assortment of Haigazian Armenological Review research outputs along with publications from the Armenian Diaspora Research Center (ADRC) and Haigazian University Press (HU Press). Additionally, it hosts a repository of MA and MBA theses.

With a focus to meet the needs of scholars, students, and researchers within and beyond the Haigazian University community, our repository provides seamless access to a diverse range of scholarly materials. Whether you're delving into historical studies, exploring contemporary research topics, or seeking insights from thesis works, the HU Repository stands as a cornerstone for intellectual inquiry and collaboration.

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Communities in Haigazian University

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Վահան Թէքէեանը ժամանակակիցներու նամակներուն մէջ
(1981) Վաչէ Ղազարեան
Vahan Tekeyan (1878–1945), the prominent Armenian poet, is often discussed in the letters of his contemporaries. The author quotes from the unpublished letters of Yervant Odian, Onnig Chifte-Sarraf, Arpiar Arpiarian, Diran Chrakian and Shahan Shahnour, all well-known Armenian writers. The letters are kept in the Museum of Literature and Arts of Yerevan.
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Անթապ (Andiabe) - Այնթապ պատմա-բանասիրական ճշգրտումներ
(1981) Սուրէն Մ. Սահակեան
According to the Armenian History of Ain’tab (editor: K. A. Sarafian, Vols. I, II, Los Angeles, 1953) the city of Aintab in Cilicia was rebuilt in the X and XI centuries by the Armenians who had migrated there from the different villages of the province of Antab (Andiabe) of Greater Armenia. Antab is the historical Alashkert of Armenia, some of whose natives were able to escape the 1915–1918 massacres. These natives, who now live in Soviet Armenia, still keep their dialect. Thus, the dialect of Antab (Andiabe) has survived in two branches, those of Aintab and Alashkert. Based upon the above-mentioned fact, the author develops his study under the following subtitles: About the Question Concerning the Name Antab (Andiabe), Aintab (in Cilicia), Philological Verifications, Etymology of the Dialectical Words in the Colophones, and a comparative Dictionary.
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Մի քանի նոր գրչագրեր
(1981) Լեւոն Գ. Մինասեան
The author presents ten new Armenian manuscripts, of which six are found in New Julfa, two in Teheran, one in London, and one in the Penaki Museum of Athens. Six of these manuscripts are Gospels copied in the years of 1480, 1582, 1630, 17th c., 1933 and 1938. One of the manuscripts is a Barzadoumar — Hymn book (1660?); the other is a Dictionary — Compilation (1845), and the remaining two are entitled The Childhood of Christ (18th c.) and The History of Ludwig and Alexander (18th c.).
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Հայկական գորգարուեստ. ՀԱՐՑԱԴՐՈՒՄՆԵՐ ԵՒ ՈՒՍՈՒՄՆԱՍԻՐՈՒԹԵԱՆ ՍԿԶԲՈՒՆՔՆԵՐ
(1981) Վահրամ Թաթիկեան
During the last century most studies devoted to oriental carpets have categorized them as: “Anatolian”, “Caucasian”, “Persian”, “Middle-Asian” and “Chinese”, failing to distinguish the Armenian carpet, which by its own particular aspects of art does not really fall under the above-mentioned categories. The art of Armenian carpet weaving has its roots deep in the Urartian (IX–VI centuries B.C.) culture, and bears the influence of the Armenian pagan religion, ethnology, and folklore. A thorough knowledge of these fields makes possible a meaningful study of the Armenian carpet. And only through a study of the semantics of the Armenian carpet will it be possible to evaluate and acknowledge the particular place of the Armenian carpet in oriental carpets.
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Հայազգի Աթաբեկ եւ Մուսուլի Սուլթան Պատր Էտ Տին Լուլու
(1981) Պերճ Սապպաղեան
Badr al-Din Lulu al-Armani had been purchased as a slave by a tailor in Mosul, and then later sold to the Sultan of the same city. As a result of his exceptional capabilities and initiative, he was able to occupy the positions of Atabek (1210–1219) and later Sultan (1219–1259) of Mosul. He was an Armenian by origin and most probably came from the area of Khlat in the province of Vaspurakan in Armenia. According to chronicles, Badr al-Din Lulu was an extraordinarily energetic, wise, cunning, pious, and generous patron and supporter of literature and the arts. Mosul’s most illustrious period of architecture was that of Badr al-Din Lulu. He also minted copper fils and gold dinars with unique inscriptions.