Հարիւրամեայ շփոթ. Կոմիտասի քուրդ երաժշտութեան թեզը

dc.contributor.authorՄարինէ Մուշեղեան
dc.date.accessioned2026-05-14T07:09:01Z
dc.date.available2026-05-14T07:09:01Z
dc.date.issued2017
dc.description.abstractThe art of Komitas plays a central role in the history of Armenian music. His biography and his musical and musicological works have been relatively well studied. There are, however, certain issues which are understudied and have been circulating for decades now in the media and in certain professional circles. One of these issues is the baseless claim that Komitas wrote a graduation thesis, a claim which misrepresents some details of his biography and research work. The author tackled this issue through a deep and thorough investigation in the archives of the University of Berlin, where Komitas studied musicology. The extensive research in the archives and registers of the University of Berlin produced no evidence whatsoever of such a document and thus brought the author to the conclusion that Komitas had not written any dissertation in the University of Berlin and accordingly had not defended any thesis on Kurdish music.
dc.identifier.citationՄուշեղեան, Մ., «Հարիւրամեայ շփոթ. Կոմիտասի քուրդ երաժշտութեան թեզը», «Հայկազեան հայագիտական հանդէս», 2017, Պէյրութ, էջ 487-498
dc.identifier.urihttps://haigrepository.haigazian.edu.lb/handle/123456789/1257
dc.titleՀարիւրամեայ շփոթ. Կոմիտասի քուրդ երաժշտութեան թեզը
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