Ստեղծագործողի հաւատամքը. Տիգրան Մանսուրեան
| dc.contributor.author | Ծովինար Մովսիսեան | |
| dc.date.accessioned | 2025-12-15T11:15:40Z | |
| dc.date.available | 2025-12-15T11:15:40Z | |
| dc.date.issued | 2010 | |
| dc.description.abstract | The 1950s marked the unprecedented resurgence of professional classical music composition in Armenia. In this context, for Mansurian and for many of his generation, Komitas and his compositions became their inspirational idol and conceptual framework. The fundamental changes of the 1960s in the Soviet Union resulted in the tearing of the iron curtain, of the totalitarian system that had prevailed for decades. Armenian music was affected by this broad wave of extensive changes. The Armenian composers of the 1960s tried belatedly to explore and integrate the compositional techniques and methods of the West, which were heretofore unknown to them. In this regards, through modern conceptual and technical skills, Mansurian enlarged the limits of Armenian national music. Mansurian's sources of inspiration include Armenian medieval music, miniature painting, architecture and poetry (Ketcharetsi to Kuchak) and extend to Komitas, the new Viennese School, and impressionism. They include as well the various schools of literature from symbolism to surrealism, to Lorka, Faulkner, Kafka, Charents, Sahian, Paradjanov, and Malian. However, the adoption of innovations took an original, national turn through his creation and became his unique manner of expression. Compositions which opposed each other in style and expression and were separated from each other by decades were unified through Mansurian's inherited and revived national sense. These compositions were produced in an excellent manner. In the works produced in his mature years, one can see the composer's philosophical approach towards temporary phenomena. The composer, who has become wiser due to his life experience, is currently trying to penetrate the world of eternity or the void, which opens new undercoded and uninterpreted horizons. | |
| dc.identifier.citation | Մովսիսեան, Ծ. «Ստեղծագործողի հաւատամքը. Տիգրան Մանսուրեան», «Հայկազեան հայագիտական հանդէս», 2010, Պէյրութ, էջ 641-648 | |
| dc.identifier.uri | https://haigrepository.haigazian.edu.lb/handle/123456789/1038 | |
| dc.title | Ստեղծագործողի հաւատամքը. Տիգրան Մանսուրեան |
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