Բելինսկի-Մոչալով-Համլէտ հարցը եւ հայ թատերական իրականութիւնը (1840-1860ականներ)
| dc.contributor.author | Բախտիար Յովակիմեան | |
| dc.date.accessioned | 2025-10-31T12:57:37Z | |
| dc.date.available | 2025-10-31T12:57:37Z | |
| dc.date.issued | 2003 | |
| dc.description.abstract | The article analyses the impact of Russian theatrical criticism on Armenian literary circles between 1840 and 1900. Belinskii was the forerunner of Russian literary criticism in those days, expanding the restricted and the outmoded conceptions of drama and stage acting in his homeland and modernizing them. Mochalov was the actor Belinskii had in mind as a living example of how an actor should perform on stage. Both exercised a very strong influence on Armenian youth studying in Moscow. Among them. Gevorg Akhverdian. Theodoros Khatamian, Sargis Hovhannisian, Sargis Tigranian and others were impressed by these new ideas and were instrumental in carrying them back to Tiflis (Tbilisi), where they helped bring about a qualitative change in the development of Armenian theater in the South Caucasus. The influence of Belinskii and Russian progressive perspective also reached the South Caucasus through their publications. For instance, local Armenian writers and actors, like Gevorg Chmshkian and Mihrdat Amerikian, were acquainted with the ideas of Belinskii and other progressive Russian thinkers by reading their publications and reports in the press. | |
| dc.identifier.citation | Յովակիմեան, Բ., «Բելինսկի-Մոչալով-Համլէտ հարցը եւ հայ թատերական իրականութիւնը (1840-1860ականներ)», «Հայկազեան հայագիտական հանդէս», 2003, Պէյրութ, էջ 193-223 | |
| dc.identifier.uri | https://haigrepository.haigazian.edu.lb/handle/123456789/896 | |
| dc.title | Բելինսկի-Մոչալով-Համլէտ հարցը եւ հայ թատերական իրականութիւնը (1840-1860ականներ) |
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